![]() ![]() ![]() This negative confrontation with ritual and social custom allows the protagonist to develop a new, more mature self‑awareness which allow him to accept the imminence of suffering and death. Social norms preclude him from participating in rituals such as marriage or mourning for the dead. In terms of the social aspect, the protagonist is excluded from the society in which he lives. This rejection prompts him to work out his own individual religiousness in which contact with God does not require any rituals. Camere separate forse un adagio condotto sull’interiorit e sul rinvenimento delle motivazioni profonde per il protagonista dell’amare e dello scrivere. He rejects Catholic dogmatics and rituals because he finds no place for them alongside his homosexuality. Il capolavoro di Tondelli torna in una edizione celebrativa arricchita di interviste e articoli curati da Fulvio Panzeri. The first, the religious‑mystic sphere, is negated by the protagonist himself. Both traditional aspects of ritual are negated and distorted. In 1985 he published Rimini, followed by Biglietti agli amici (1986), Camere separate (1989, in which he reached expressive maturity), Un weekend postmoderno. ![]() In the last book by Pier Vittorio Tondelli, Camere separate, the ritual motif appears in its two essential aspects: sacrum - as a relation between the main protagonist and the religious‑mystic sphere and profanum as a relation between the main protagonist and society. ![]()
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